Lynn Drury's songs are as rich and full of visual imagery as life itself. With her distinctive style and powerful voice, she has the ability to transport the listener to another time and place. Drury's gritty sound combines the twang of her native Missi...
Lynn Drury's songs are as rich and full of visual imagery as life itself. With her distinctive style and powerful voice, she has the ability to transport the listener to another time and place. Drury's gritty sound combines the twang of her native Mississippi and the funky grooves of her adopted home of New Orleans.
Drury has received frequent local and national radio airplay, carving out a niche in a city not known for it's singer/songwriters. Offbeat Magazine dubbed "Spun" the Best New Release of 2003 and presented Drury with an award for Best Emerging Singer/Songwriter in 2004. She was also nominated for Best Roots-Rock Album ("All You need") at the Big Easy Awards in 2006. Upon moving to New Orleans in 1995, Drury took guitar lessons with local musician Chris Wood.
Almost right away, the budding singer-songwriter began performing originals and covers at small venues around town. She also frequented open mic nights at bigger clubs like the Howlin' Wolf and Tipitinas, eventually landing a weekly spot at Margaritaville, where she played opposite legends like Eddie Bo and Chris Thomas King for 5 years. After honing her musical skills on the bandstand, Drury released her first CD of original compositions, "Crossing Frequencies," in 2001. Over the next two years, she released a pair of discs — "Blackberry Winter" and "Spun" — backed up by local group Bad Mayo (Dave Stover, Chris Mulé, Trevor Brooks and Chris Pylant). She also played at the New Orleans Jazz & Heritage Festival every year from 2000-2005. With the help of Jimbo Mathus (Squirrel Nut Zippers), Drury began working on her fourth album, "All You Need". Progress was interrupted by Hurricane Katrina and the epic failure of the federal levee system in New Orleans that put much of the city under water, so she finished the recording at Delta Recording Studios in Clarksdale, Mississippi. The disc was mixed at the famous Piety Street Studios in New Orleans and released in 2006, scoring Drury her first national distribution deal with indie label 219 Records.
After Katrina hit, Drury relocated to Memphis, where she performed at museums and galleries. She also participated in the Diaspora house concerts series in Brooklyn (appearing on the resulting recording), produced by composer Nick Balaban. She was also featured in No Depression magazine Drury returned to New Orleans 2007, gigging around town at major venues like dba, the Maple Leaf, and the House of Blues (opening for Joan Armatrading). She began performing with Italian guitarist Roberto Luti, with whom she moved to Livorno, Italy, in 2008. The duo toured and performed extensively in Europe, including opening for blues-rock legend Robben Ford at the Lake Trasimano Festival. The resulting live CD, "Dal Vivo," released in January 2009, features their performances at festivals all over Italy. In 2009, while splitting time between Italy and New Orleans, Drury teamed up with Louisiana songstress Kim Carson to form the Tipsy Chicks, playing their unique blend of honky tonk and rockabilly all over the American south and Europe.
By August of that year, Drury moved back to New Orleans for good and reunited with her former drummer Chris Pylant and rebuilt her band, which still performs regularly at local and regional venues as well as at Jazz Fest and French Quarter Fest. New Orleans-based nonprofit Threadhead Records Foundation awarded Drury a grant in February 2010 to help produce her latest album, "Sugar On the Floor," which represents a mixture of her Mississippi grit / New Orleans groove and grander styles with horns and strings arranged by Matt Perrine. The stellar lineup includes Alex McMurray (Tin Men, Royal Fingerbowl), Tommy Malone (Subdudes), Ivan Neville, Helen Gillet, Bill Malchow, and Eric Traub. Produced by Carlo Nuccio (who also plays drums on the album), much of the disc was recorded and engineered by Jacques DeLatour at Fudge Recording Studios in New Orleans. "Sugar On the Floor" was released in the spring of 2011, and is racking up impressive reviews.