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The King's Singers are a British a cappella vocal ensemble founded in 1968. They are named after King's College in Cambridge, England, where the group was formed by six choral scholars. In the United Kingdom, their popularity peaked in the 1970s and early 1980s. Thereafter they began to reach a wider international audience, appearing frequently on The Tonight Show Starring Johnny Carson in the U.S. In 1987, they were prominently featured as guests on the Emmy Award winning ABC-TV special Julie Andrews: The Sound of Christmas.
Today the ensemble travels worldwide for its performances, appearing in around 125 concerts each year, mostly in Europe, the U.S. and the Far East, having recently added the People's Republic of China to their list of touring territories. In recent years the group have had several UK appearances at the Royal Albert Hall Proms and concerts as part of the Three Choirs Festival and the City of London Festival.
The group has always consisted of six singers in total, with their membership changing over the years. None of the original members remain. The first stable incarnation of the group, from late 1969 until 1978, comprised:
Nigel Perrin (countertenor 1),
Alastair Hume (countertenor 2),
Alastair Thompson (tenor),
Anthony Holt (baritone 1/tenor 2) (actually from Christ Church, Oxford, rather than King's),
Simon Carrington (baritone 2),
Brian Kay (bass),
The current ensemble is composed of (starting year in brackets):
David Hurley (countertenor 1) - (1990),
Tim Wayne-Wright (countertenor 2) - (2009),
Julian Gregory (tenor) - (2014),
Christopher Bruerton (baritone 1) - (2012),
Christopher Gabbitas (baritone 2) - (2004),
Jonathan Howard (bass) - (2010),
Former members of the King's Singers also include Jeremy Jackman, Bob Chilcott, Nigel Short, Bill Ives, Bruce Russell, Colin Mason, Gabriel Crouch, Stephen Parham-Connolly, Robin Tyson, Philip Lawson, and Paul Phoenix. Countertenor David Hurley announced his plans to retire from the group in August 2016. There have been 24 members of the King's Singers since the original stable group was established in late 1969, for whom the average length of tenure is around 12 years.
Around the year 2000, the King's Singers briefly called themselves king'singers (with a lower case k and a single s), as can be seen on the cover of Fire-Water and several song sheets. This name change did not last long, but the current circular logo originates from this name.
Prior to the establishment of the original stable male-only group cited above, several of the parts were taken by other singers, including three females. The four founding members, who first sang together within a six-man group in 1965, were Alastair Hume, Alastair Thompson, Simon Carrington and Brian Kay. From 1965 until 1968 the first countertenor was Martin Lane and the first baritone was Richard Salter. It was this group of six singers who gave the first concert under the name of the King's Singers on 1 May 1968 at the Queen Elizabeth Hall, London, with the Academy of St Martin-in-the-Fields, Simon Preston (organ) and Barry Tuckwell (horn). Later in 1968, Martin Lane developed a brain tumour and had to withdraw from the group; Felicity Palmer stood in during 1969 until Nigel Perrin graduated that summer. Then, in 1969, Richard Salter was awarded a Richard Tauber Scholarship and left for Vienna; Nigel Beavan filled the gap until Anthony Holt became available towards the end of the year. Other singers who served as short-term group members were Eleanor Capp, Caryl Newnham and, on one occasion, James Bowman, all of whom took the first countertenor (soprano) role in 1969 when Felicity Palmer was unavailable. For a brief time after he joined the King's Singers, Nigel Perrin also belonged to the Scholars; when double-booked, his King's Singers' duties were fulfilled by Richard Baker (note: not the familiar BBC broadcaster). Neil Jenkins sang tenor in the early pre-King's Singers group's first summer singing tour in 1965, and Peter Hall was another tenor used by the fledgling pre-King's Singers group.
Madrigal History Tour:
In 1984, the members of the King's Singers (who at the time included two founding members, Alastair Hume and Simon Carrington) presented, narrated and sang in Madrigal History Tour, a six-part BBC television documentary series about the history of the madrigal in Western Europe. (The name was a play on the Beatles album Magical Mystery Tour.) The series also featured the early music ensemble The Consort of Musicke, playing together with and separately from the King's Singers. The series was accompanied by an album, also called Madrigal History Tour.
The King's Singers' 20th anniversary concert in 1988, at the Barbican, featured a surprise reunion, in which all King's Singers to date reunited on stage, introduced individually (with membership dates, counting from 1968) by Prunella Scales.
Fortieth anniversary celebration concerts included two "best of" concerts at Cadogan Hall, London, on 30 April 2008, and a performance the following day in the chapel of King's College Cambridge, as well as concerts in Paris, Rome, Berlin, New York and Tokyo.
The group cites as its influences The Hi-Lo's vocal jazz group, the Comedian Harmonists, the Mastersingers and (perhaps most importantly) the style of singing instilled into them by Sir David Willcocks, their Director of Music at King's College, Cambridge. It was this serene and precise sound, with vibrato used only as a colour rather than a default setting, that was expanded by the early King's Singers to be used on all genres of music, from renaissance church repertoire such as they had performed as part of the daily chapel services at the university, to pop/jazz/folk/spiritual arrangements that were soon added to their concert programmes.
They took hold of the idea that concerts need not contain merely one form of music; audiences could be educated as well as entertained. For those who came expecting pop music there would be classical music as well, and vice versa. This started out of necessity; for their first few concerts the group simply had to perform everything they knew in order to fill a concert programme, and this included religious music from their chapel library, along with folksongs and other "lollipops". Over the years their library has expanded so that it now includes some 2,000 works of all styles. The group is best known for its a cappella performances which have as a foundation a strong bass/baritone blend on which the other voices sit, a principle known as the "Pyramid of Sound". In addition, the King's Singers have frequently performed with instruments, both in recordings and in concert. One of their most famous songs is "You Are The New Day".
Most of their a cappella concerts are divided into five distinct groups of pieces. The first four vary widely (madrigals, folk songs, recently commissioned pieces, etc.) but are generally taken from the serious side of the group's repertoire, but the last group of the concert is typically a "close harmony" set. Often it consists of lighter fare, including music of The Beatles, Billy Joel, Queen, George Gershwin, Harold Arlen or Irving Berlin, many of which have been arranged for the group by composers such as Richard Rodney Bennett, Jeremy Lubbock, Bob Chilcott, Philip Lawson and John Rutter. Sometimes the final set (in a concert of religious music) will be a spiritual harmony set - entitled "Songs of Faith and Hope". This set could be composed of American Spirituals, arranged by contemporary composers, including former group members Philip Lawson and Bob Chilcott. Pieces in this set could include "Simple Gifts", "Deep River", "Down to the River to Pray", and "Stand Still, Jordan" as well as more spiritual pop songs such as "Some Folks Lives Roll Easy" by Paul Simon.
More recently, however, the King's Singers have begun to perform "concept programmes" which have a set theme running throughout. These could be simply a 60-minute first-half sequence, often performed in European cathedral concerts, with a Mass or Requiem setting providing the backbone, interspersed with other shorter works, or a more fundamental concept which infuses every piece performed. Examples of this latter art include "Sacred Bridges", a programme of Jewish, Islamic and Christian settings of Psalms, performed with Vladimir Ivanoff and his ensemble "Saraband". The group have also created concert programmes relating to recent CD recordings, including "Landscape and Time" and "Treason and Dischord", the latter a programme commemorating the 400th anniversary of the Gunpowder Plot and including a script read in live performances by actors Joss Ackland and Bill Wallis. The group works closely with concert promoters and local agents to determine the best possible programme for each concert, whether for church, concert hall, open-air venue or private house.
The King's Singers are also known for frequently commissioning works from contemporary composers. Starting with "Timepiece", commissioned by the Camden Festival in 1972 from composer Paul Patterson (and still regularly performed today), they have continued by commissioning pieces from (amongst others) Sally Beamish, Bob Chilcott, Sir Peter Maxwell Davies, Howard Goodall, Daron Hagen, Jackson Hill, Graham Lack, Libby Larsen, György Ligeti, John McCabe, Ivan Moody, Jocelyn Pook, Geoffrey Poole, Francis Pott, Ned Rorem, Joby Talbot, Sir John Tavener and Malcolm Williamson. In 2008 they performed a piece commissioned jointly for them and the National Youth Choirs of Great Britain written by Eric Whitacre.
In February 2009 their CD, Simple Gifts, won a Grammy Award for Best Classical Crossover Album. In February 2012 they won Best Choral Performance at the 54th Grammy Awards along with Eric Whitacre for the album Light and Gold, on which they performed "The Stolen Child", written for the group by Whitacre. Their DVD, "Live at the BBC Proms", won a MIDEM Award at the annual ceremony in Cannes in 2010 for Best DVD Performance.
Activities of former members:
Many former members of the King's Singers have remained active in the world of choral music. Former tenor Bob Chilcott is now a composer, conductor of the BBC Singers and workshop leader. Former baritone Gabriel Crouch is now the director of choral ensembles at Princeton University and former countertenor Nigel Short founded a professional choir, Tenebrae, on leaving the group in 2001. Baritone Simon Carrington is director emeritus of the Yale Schola Cantorum at the Yale Institute for Sacred Music and now directs the Simon Carrington Singers based in Kansas City, Missouri. Tony Holt is on the music faculty at St. Olaf College as a voice instructor. The original bass, Brian Kay, became well known as a radio and TV broadcaster; Bruce Russell is now vicar of St Francis' Church, Langley in Berkshire.
In addition to recording and performing, the King's Singers have a commitment to education, often participating in master classes and workshops. Every two years they hold a residency at the Schleswig-Holstein Music Festival in Lübeck, Germany, at which up to 12 a cappella groups from all over the world are taught over a period of four days, culminating in a public performance. The group also leads around a dozen additional one-off masterclasses throughout the year, normally in conjunction with concert performances and often as part of their twice-yearly US tours. During its time, the King's Singers have taught many groups that have now become known in their own right, such as Club for Five, The Real Group, Rajaton, Singer Pur and Calmus Ensemble.
Several of the King's Singers also arranged pieces, both for the group and pieces to publish in their line of music. Recently, Philip Lawson and Bob Chilcott have been the most prolific composers for the group.
†Also Eleanor Capp and Caryl Newnham (sopranos), James Bowman and Richard Baker (countertenors)
The King's Singers