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Get Vince Gill songs and albums from:
Vince Gill is an American neotraditional country singer-songwriter and multi-instrumentalist. He has achieved commercial success and fame both as frontman to the country rock band Pure Prairie League in the 1970s, and as a solo artist beginning in 1983, where his talents as a vocalist and musician have placed him in high demand as a guest vocalist, and a duet partner. Gill has recorded more than twenty studio albums, charted over forty singles on the U.S. Billboard charts as Hot Country Songs, and has sold more than 22 million albums. He has been honored by the Country Music Association with 18 CMA Awards, including two Entertainer of the Year awards and five Male Vocalist Awards. Gill has also earned 20 Grammy Awards, more than any other male Country music artist. In 2007, Gill was inducted into the Country Music Hall of Fame.
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Get Mandolin Orange songs and albums from:
After the breakout critical success of Mandolin Orange's Yep Roc debut, 'This Side of Jordan,' you'd expect the relentless onslaught of touring that accompanied it to seep into the writing of the North Carolina duo's follow-up. You'd expect the sound to reflect long days on the road, long nights onstage, unfamiliar cities, countless miles. You'd expect the classic "road record." But you'd be wrong.
"All of these songs are definitely a product of being on the road," says multi-instrumentalist/singer Emily Frantz of Mandolin Orange's gorgeous new album, 'Such Jubilee,' "but they're not about the road."
"They're about home," explains songwriter/multi-instrumentalist/singer Andrew Marlin. "Not because we were missing it, but because when you're gone so much, you start realizing what you have and what's waiting for you. You realize there's this place to come back to at the end of the journey, and that's where a lot of these songs come from."
The road has been good to Mandolin Orange since the 2013 release of 'This Side of Jordan.' NPR called the album "effortless and beautiful," naming it one of the year's best folk/Americana releases, while Magnet dubbed it "magnificent," and American Songwriter said it was "honest music, shot through with coed harmonies, sweeping fiddle, mandolin, acoustic guitar and the sort of unfakeable intimacy that bonds simpatico musicians like Gillian Welch and David Rawlings." The record earned them performances everywhere from the iconic Newport Folk Festival to Pickathon, as well as tours with Willie Watson, Gregory Alan Isakov, The Wood Brothers, and more.
"When you play these festivals, you start meeting all these other people doing what you're doing," says Marlin. "There are so many musicians together in one place and you become part of this community. We got to hang out with Tim O'Brien and Peter Rowan and Norman Blake. Sitting down and talking to them and playing with them, you get to see the personal side of them rather than the hero side."
"With all the touring and festivals, you look around and realize, 'OK we're actually doing this now,'" adds Frantz. "We're not just trying to do it, it's what we do, and that ties into a lot of the themes on the record."
It's at the heart of album opener 'Old Ties and Companions,' which takes stock of such rewarding moments.
"A good friend of mine and I were talking about this time in our lives - we've got all these friends playing music and everybody's playing with everybody and trading songs and it's really special," explains Marlin. "But you don't know how long that's going to be around, so we don't take this time for granted."
"Old man give me endless time," he and Frantz sing in stirring harmony. "Never let these ties sever / Cause heaven knows in all this foolin' round these times won't last forever."
To make the most of such magical, ephemeral moments, the duo set up facing each other with just a vocal and instrumental mic each in Asheville's Echo Mountain studio for the 'Such Jubilee' sessions. It proved to be the perfect setup to capture the undeniable chemistry of their live performances.
"I think a lot of times when people set out to layer tracks on a recording, they want the rhythm or a click track first," says Frantz, who initially met Marlin at a 2009 bluegrass jam in Carrboro, North Carolina. "But we've just played together for so long that subconsciously we know where all the spaces need to be and what's going to fill in afterwards. When it's just the two of us in there, we don't have to orchestrate as much ahead of time because it all just falls into place so naturally."
On "Settled Down," Marlin looks at what it takes to find that level of comfort in a relationship, singing, "Moments, just fleeting times with little wings of gold / remind us of how real we find true love in every sign of getting older." "Daylight" looks for peace in long-term companionship and trust, "That Wrecking Ball" meditates on the sometimes ravaging passage of time, and album closer "Of Which There Is No Like" is a delicate, wistful duet about coming home, literally and metaphorically.
Not all of the songs are purely introspective, though. "Jump Mountain Blues" takes its name from a town in Virginia where Marlin spent weekends growing up. According to local folklore, a Native American girl threw herself off of the mountain rather than give up her true love to marry the man of her father's choosing. Marlin conjures up a haunting vision of the father, forced to watch her ghost rise and fall again every night when he looks at the peak. "Rounder" is written in the cowboy tradition and can be heard as a statement against capital punishment, while "Blue Ruin" was penned in response to the horrific violence at Sandy Hook.
"I was thinking about all those kids who wouldn't be there on Christmas morning," says Marlin. "People can get so heated and so serious about change and addressing gun violence when something that traumatic happens, but a month or two afterwards, they've all cooled down and it's not in the forefront of their thoughts anymore. But two years later, those kids still aren't around on Christmas morning and their parents are still dealing with that."
It's a weighty moment on an album that doesn't shy away from grappling with difficult topics: intimacy, death, distance, regret. 'Such Jubilee' is a record about home, both the place and the idea. Some days it's a safe, warm, loving refuge from the world outside. Other days it's cold and empty and too quiet. Either way, it's always waiting for you at the end of the road.
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Get Ricky Skaggs songs and albums from:
Richard Lee "Ricky" Skaggs (born July 18, 1954) is a country and bluegrass singer, musician, producer, and composer. He primarily plays mandolin; however, he also plays fiddle, guitar, and banjo. Ricky Skaggs was born in Cordell, Kentucky. He started playing music at age 5 after he was given a mandolin by his father, Hobert. At age 6, he played mandolin on stage with Bill Monroe. At age 7, he appeared on television's Martha White country music variety show, playing with Lester Flatt and Earl Scruggs. He also wanted to audition for the Grand Ole Opry at that time, but was told he was too young.
In his mid-teens, Skaggs met a fellow teen prodigy, guitarist Keith Whitley, and the two started playing together with Whitley's banjoist brother Dwight on radio shows. By 1970, they had earned a spot opening for Ralph Stanley and Skaggs and Keith Whitley were thereafter invited to join Stanley's band, the Clinch Mountain Boys. Skaggs later joined J. D. Crowe's New South. For a few years, Skaggs was a member of Emmylou Harris's Hot Band. He wrote the arrangements for Harris's 1980 bluegrass-roots album, Roses in the Snow. In addition to arranging for Harris, Skaggs sang harmony and played mandolin and fiddle in the Hot Band.
Into the 1990s and 2000s, Skaggs has embraced his bluegrass roots, as well as experimenting with new sounds. With his band, Kentucky Thunder, he is a perennial winner of Grammy Awards and International Bluegrass Music Association for best bluegrass album.
"I always want to try to promote the old music, as well as trying to grow, and be a pioneer too," Skaggs once said.
In 2000, he shared the stage with Vermont-based jam band, Phish. On March 20, 2007, Skaggs released an album with rock musician Bruce Hornsby.
In 2008, Skaggs released an album he recorded with The Whites on his Skaggs Family Records label. In 2008, Skaggs recorded a bluegrass version of "Old Enough" by the Raconteurs with Ashley Monroe and the Raconteurs. He played mandolin on the track as well as shared vocals with Jack White, Brendan Benson, and Ashley Monroe.
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Get Terri Clark songs and albums from:
Terri Lynn Sauson (born August 5, 1968 in Montreal, Quebec), known professionally as Terri Clark, is a Canadian country music artist who has had success in both Canada and the United States. Signed to Mercury Records in 1995, she released her self-titled debut that year. Both it and its two follow-ups, 1996's Just the Same and 1998's How I Feel, were certified platinum in both countries, and produced several Top Ten country hits.
Her fourth album, 2000's Fearless, though certified gold in Canada, was not as successful in the U.S., producing no Top 10 hits. Pain to Kill from 2003 restored her chart momentum in the U.S. with "I Just Wanna Be Mad" and "I Wanna Do It All", while a 2004 greatest hits album produced the Number One "Girls Lie Too". A non-album single, "The World Needs a Drink", and the 2005 album Life Goes On were her last releases for Mercury before she signed to BNA Records in 2007. There, she released the singles "Dirty Girl" and "In My Next Life". Although the latter went to Number One in Canada, she has not released an album for BNA.
Clark's albums have accounted for more than twenty singles, including six Number Ones. "If I Were You", "Poor Poor Pitiful Me", "Emotional Girl" and "In My Next Life" all topped the country charts in Canada, "Girls Lie Too" reached Number One only in the U.S., and "You're Easy on the Eyes" was a Number One in both countries.
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Get Dailey & Vincent songs and albums from:
The most eagerly-anticipated bluegrass debut in recent memory, Dailey & Vincent introduces a powerful new ensemble steeped in bluegrass and country music traditions, but blessed with the drive, talent, and charisma to assert those timeless values proudly onto today's stage. Even before one note of their stunning debut record had been heard, Jamie Dailey and Darrin Vincent earned a standing ovation at the 2007 International Bluegrass Music Association convention and were booked for more than 100 shows. Now that the album is here, the advance accolades are completely understandable. This is music that can stand side by side with any of the most revered bluegrass discs ever made.
Co-leaders Jamie Dailey and Darrin Vincent have already had a profound impact on much of the best modern bluegrass via their contributions to such estimable performers as Doyle Lawson & Quicksilver, Ricky Skaggs & Kentucky Thunder, and Rhonda Vincent & The Rage. The decision to join forces was not taken lightly, as they both held comfortable positions within premier bluegrass bands – Dailey as lead and tenor singer for nine years with Lawson, Vincent as harmony vocalist and multi-instrumentalist with Skaggs. "But when I first heard Jamie sing," Darrin Vincent recalls, "it absolutely brought me out of my seat. I said, 'That is somebody I need to know.'"
Vincent's initial instincts were confirmed the instant that he and Dailey sang together. "When I first heard our voices blend, I said, 'There's something special about that,'" Vincent continues. "It was like, 'OK, we've got to pursue this.' Then I looked around, and Sonny stopped playing in The Osborne Brothers. Jim [McReynolds] from Jim & Jesse passed away. All of a sudden, there weren't any duos in bluegrass anymore. I thought, 'This is going to be a lost thing if we don't form a duo.' It just made sense."
Dailey agrees, adding that when he met Darrin six years ago, he knew immediately that he wanted to take his next professional steps with him. In 2003, the two began talking seriously about becoming a team.
"I was happy – I had no complaints," says Jamie of his nine years in Quicksilver. "But I knew probably after being with Doyle three years that eventually I would want to step away, in order for me to fulfill what was in my heart and to get to do everything I wanted to do musically."
"We've been praying about this for about four years," Darrin comments, "because we were making sure that it's the right choice. He (Jamie) was making really good money and doing great with Doyle. I've been having a ball with Ricky. With all the awards that we've won and all the wonderful opportunities that have come along with Ricky, it really didn't make sense to quit." But in 2004, Darrin and Jamie recorded "Beautiful Star of Bethlehem" as a duet for a bluegrass Christmas compilation album. The response was explosive.
"When we got the response we did off of 'Beautiful Star,' it was overwhelming," recalls Jamie. "It just blew my mind. That's what brought forward the idea that we needed to do our own thing."
"Their own thing" positively bursts from the speakers from the first notes of their self-titled Rounder debut, Dailey & Vincent, released in January of 2008. The working-man's laments "Sweet Carrie" and "Poor Boy Workin' Blues" are vintage-sounding, rapid-fire bluegrass romps. Jamie's tenor lead vocals on "I Believe" and "Take Me Back and Leave Me There" are high, lonesome bluegrass singing at its purest. Darrin's upbeat lead vocals on "Don't You Call My Name," "Cumberland River," and "Music of the Mountains" sound steeped in tradition.
The harmonies in "River of Time" and "Place on Calvary" will send shivers up the spine of anyone who loves the classic overtones that only great bluegrass voices can produce. "More than a Name on a Wall" sounds vintage because it is – the song was a 1989 country hit for The Statler Brothers. And as if to remind us that we are in the presence of classic talents, "My Savior Walks with Me Today" and the extraordinary performance of Gillian Welch and David Rawling's "By the Mark" are performed in traditional, mandolin-guitar, brother-duet fashion.
Indeed, their voices blend with an uncanny, almost familial consonance, reflecting the dedication and mutual respect behind their partnership. "I get along with Darrin like family," Jamie explains. "For six years, we've been working on different projects. But we've talked to each other on the phone just about every day all during those six years."
"I threw songs at him, he threw songs at me," Darrin remembers, looking back at the formative stages of their collaboration. "We went for timeless things, things we wouldn't mind singing from now on."
Darrin's sister, bluegrass star Rhonda Vincent, has her own studio. Darrin asked her if he and Jamie could use it. The exceptional blend of their voices on songs like "By the Mark" captivated Rhonda and everyone else who heard the sound. Soon they were the most talked about new bluegrass band on the circuit – well before most fans heard any music at all. Pop pianist and songwriter (and bluegrass fan) Bruce Hornsby observed that "Their name is on the lips of everyone in the know, as far as I'm concerned."
Like most overnight sensations, however, Dailey and Vincent are two men who have paid their dues many times over. Born December 27, 1969, Darrin Vincent first gained notice as a six-year-old tyke in his family's band, The Sally Mountain Show, in Missouri. In the 1980s, he was in The Rage, the band led by his celebrated sister Rhonda Vincent. He continues to co-produce her acclaimed albums with her to this day. From 1990 through 1997 he backed John Hartford. In April 1997 he joined Ricky Skaggs' award-winning band, Kentucky Thunder. He is proficient on guitar, bass, and mandolin and is highly regarded for his harmony-singing talent.
"I'm kind of a fish out of water," says Darrin. "I've been behind people my whole life – my sister, John Hartford, Ricky. I've never taken front and center stage. Not even one time. I tell you, when I sang 'Cumberland River' at the IBMA convention, I was scared out of my mind. It was extremely, excruciatingly scary."
Jamie Dailey, on the other hand, is noted as a lead singer. But forming this duo was a big step for him as well. Born June 9, 1975, he was plucked from obscurity by Doyle Lawson to become the tenor lead vocalist in the much-awarded Quicksilver.
"People would ask me when I was a teenager if I would ever want to do this for a living," Jamie recalls. "I said, 'Absolutely not. I would hate that. I never want to be on the road.' I didn't think I wanted to travel. Around that time, when I was 16, I heard Doyle Lawson & Quicksilver. When I heard Doyle for the first time, it changed. I was like, 'That's what I want to do.' And then, in August of 1998, he called."
Having heard of Jamie's talent, Doyle called to inquire whether the high-singing youngster would like to audition. Jamie graduated instantly from singing in local Tennessee bluegrass groups to playing bass and guitar and singing lead and harmony vocals in one of the most famous bluegrass bands in America.
Taking with them the lessons they've learned from their former employers, their friends, and their families, Jamie and Darrin produced Dailey & Vincent themselves. With pride, they included on the sessions their band members Jeff Parker (mandolin, harmony vocals) and Joe Dean (banjo, bass vocals). Adam Haynes has since been added on fiddle. The result is twelve brilliant performances from two men who sound born to sing together, delivered with a thrilling blend of clarity, precision, and soul. Jamie Dailey and Darrin Vincent have given their lives to bluegrass, to both the traditions and the possibilities that it offers, and now they've made the album of their lives. Is it possible to be both classic and brand new? Meet Dailey & Vincent.
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Get Riders in the Sky songs and albums from:
Riders in the Sky is an American Western music and comedy group which began performing in 1977. Their style also appeals to children, and they are sometimes considered a children's band. They have won two Grammy Awards and have written and performed music for major motion pictures, including "Woody's Roundup" from Toy Story 2 and Pixar's short film, For the Birds.
First Performance and Members
The Riders first performed on November 11, 1977 at Herr Harry's Franks and Steins in Nashville, TN. For this first performance, the Riders consisted of Deputy Doug (Douglas B. Green), Windy Bill Collins, and Fred LaBour. Happy with the crowds reaction, the Riders performed for the second time at Herr Harry's the next evening. Between the second and third performances, the band still didn't have a name, but that changed in December 1977, when Fred LaBour found a copy of The Sons of The Pioneers album: Riders In The Sky. When LaBour saw the album, he immediately called Green and told him that Riders In The Sky should be the band's name. Green agreed and from their third performance on, they were officially billed as Riders In The Sky. In 1978, Bill Collins left the Riders shortly after "Tumbleweed Tommy" Goldsmith joined. Shortly after Collins left, "Woody Paul" Chrisman also joined the band. In mid-1979, Tommy Goldsmith left the Riders shortly before the recording of their first album, which would become Three on The Trail. The band remained a trio throughout most of the 1980s until Joey Miskulin became an official member in the late 80s. At most performances, the members are introduced as "Too Slim: The Man of Many Hats" (sometimes introduced as "The Man With A Dozen Friends"), "Woody Paul: The King of The Cowboy Fiddlers", "Ranger Doug: The Idol of American Youth" (sometimes introduced as "Governor of The Great State of Rhythm"), and "Joey The Cowpolka King".
In their first 35-plus years, Riders in the Sky have performed in over 6200 live performances, almost 300 national television appearances, over 200 public radio shows, 700 Grand Ole Opry appearances, three television series: Tumbleweed Theater(1983-1988), Riders Radio Theater: The TV Series(Occasional specials from the early-to-mid-1990s), and Riders In The Sky(1991). The Riders appeared in animated form on an episode of "Duck Dodgers" on Cartoon Network and have released more than 30 albums. The group also wrote and appeared in numerous Christmas specials on TNN and CMT in the 1990s. They are based in Nashville, Tennessee.
Riders Radio Theater was the Riders in the Sky's radio show. It originated in Nashville, with WPLN-FM as the presenting station, but later moved to Cincinnati, Ohio, and can now be heard on WMKV, iTunes, and the official Riders In The Sky SoundCloud page.
Riders in the Sky perform authentic renditions of old classic cowboy and Western songs, as well as original works and various comedic skits and songs. Their sketches often include allusions to something being done in a dishonest or lazy manner; with Ranger Doug typically responding to this observation by saying "You fellers know that that would be the easy way. But it wouldn't be the cowboy way!"
Riders in the Sky performed with America's Got Talent finalist Taylor Ware at the Grand Ole Opry when she was nine years old. They also appeared in an episode of Barney & Friends.
The Riders recently appeared as musical spokesmen in a series of Yella Wood commercials. These popular ads spoof the 1930s era Western singing cowboy serials.
Riders in the Sky were named Western Music Group of the Year during the Academy of Western Artists 2006 Will Rogers Awards.
This CD was featured on The New York Times' Best Ten List for 1982.
Best Independent Country Album of the Year
Best Independent Children's Album of the Year
Always Drink Upstream from the Herd
1995 Cowboy Hall of Fame Wrangler Award for Outstanding Western Recording!
Woody's Roundup: A Rootin' Tootin' Collection of Woody's Favorite Songs
2001 Grammy Award Winner: "Best Musical Album For Children"
Monsters, Inc. Scream Factory Favorites
2003 Grammy Award Winner: "Best Musical Album For Children"