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Old Crow Medicine Show is an Americana string band based in Nashville, Tennessee. Their music has been called old-time, bluegrass, folk, and alt-country. Along with original songs, the band performs many pre-World War II blues and folk songs. Recording since 1998, they were discovered by famed bluegrass musician Doc Watson while busking outside a pharmacy in Boone, North Carolina in 2000. With an old-time string sound fueled by punk rock energy, they have influenced acts like Mumford & Sons and contributed to a revival of banjo-picking string bands playing Americana music—leading to variations on it.
They band released four studio albums—O.C.M.S. (2004), Big Iron World (2006), Tennessee Pusher (2008), and Carry Me Back (2012). Their song "Wagon Wheel", written by frontman Ketch Secor through a co-authoring arrangement with Bob Dylan, was certified platinum by the Recording Industry Association of America in April 2013 and has been covered by a number of acts, including Darius Rucker, who made the song a top 40 hit.
The band was featured along with Edward Sharpe and the Magnetic Zeros and Mumford and Sons in the music documentary Big Easy Express, which won a Grammy Award for Best Long Form Music Video in 2013. They performed on the Railroad Revival Tour across the U.S. in 2011. They appeared at the Stagecoach Festival 2013 and multiple times at other major festivals, e.g., Bonnaroo Music Festival, MerleFest, Telluride Bluegrass Festival, Hardly Strictly Bluegrass Festival, and Newport Folk Festival.
They make frequent guest appearances on A Prairie Home Companion with Garrison Keillor. The group received the 2013 Trailblazer Award from the Americana Music Association, performing at the Americana Honors & Awards Show. They were formally inducted into the Grand Ole Opry at a special ceremony at the Grand Ole Opry House in Nashville on September 17, 2013.
Ketch Secor and Critter Fuqua first met in the seventh grade in Harrisonburg, Virginia and began playing music together. They performed open mics at the Little Grill diner, as did Robert St. Ours who went on to found The Hackensaw Boys. Secor's early influences included "driving up to Mt. Jackson, VA to the bluegrass Saturday night in the summer. And going up to Davis and Elkins College to participate in the Old Time Music week there, and meeting guys like Richie Stearns." Secor formed the Route 11 Boys with St. Ours and his brothers, and performed often at Little Grill.
Willie Watson first met Ben Gould in high school in Watkins Glen, New York (Schuyler County), and began playing music together. Both Watson and Gould dropped out of school and formed the band The Funnest Game. Their brand of electric/old-time was heavily influenced by the old-time music scene prominent in Tompkins and Schuyler County, New York, including The Horse Flies and The Highwoods Stringband.
Fuqua, school friend and future bandmate, first brought home a Bob Dylan bootleg from a family trip to London containing a rough outtake called "Rock Me, Mama" (from the "Pat Garrett and Billy The Kid" soundtrack sessions) and passed it to Secor. Not "so much a song as a sketch, crudely recorded featuring most prominently a stomping boot, the candy-coated chorus and a mumbled verse that was hard to make out", the tune kept going through Secor's mind. A few months later, while attending Phillips Exeter Academy in New Hampshire, and "feeling homesick for the South," he added verses about "hitchhiking his way home full of romantic notions put in his head by the Beat poets and, most of all, Dylan." Dylan was a major influence on the young musician, as he puts it:
"I listened to Bob Dylan and nothing else. Nothin' but Bob for four years. It was like schooling. Every album and every outtake of every album and every live record I could get my hands on and every show I could go see live. I was a teenager who was really turned on to Bob."
The Dylan outtake, generally titled "Rock Me Mama", came out of recording sessions for the Pat Garrett and Billy the Kid movie soundtrack (1973) in Burbank, California. Secor says it ". . was an outtake of something he had mumbled out on one of those tapes. I sang it all around the country from about 17 to 26, before I ever even thought, 'oh I better look into this.'"
When Secor sought copyright on the song in 2003 to release it on O.C.M.S. in (2004), he discovered Dylan credited the phrase "Rock me, mama" to bluesman Arthur "Big Boy" Crudup, who likely got it from a Big Bill Broonzy recording. As Secor says: "In a way, it's taken something like 85 years to get completed." Secor and Dylan signed a co-writing agreement, and share copyright on the song; agreeing to a "50-50 split in authorship."
Secor later met Dylan's son, Jakob, who said "it made sense that I was a teenager when I did that, because no one in their 30s would have the guts to try to write a Bob Dylan song." The song would be an early entry in the group's catalog when it formed a few years later. Officially released twice, on an early EP and their second album ("O.C.M.S." in 2004), the song would become the group's signature song—going gold in 2011 and platinum in 2013.
Upstate New York/Canada/North Carolina
After the breakup of the Route 11 Boys, Secor attended Ithaca College. He brought Fuqua up to New York State, where they met Willie Watson. Watson dissolved The Funnest Game and they assembled players all around Ithaca, New York "where there is a very lively old-time music scene", including Kevin Hayes They recorded an album that they could sell on the road—a cassette of ten songs called Trans:mission. Fuqua says of the influence of that region . .
'Ithaca and that surrounding area was a big influence on us. We wouldn't be here without a lot of the people we met there, like Richie Stearns, the Red Hots and Mac Benford. All those old-time banjo players brought the music from the South back up to New York, and it was kind of a hotbed.'
The group left Ithaca for their Trans:mission tour in October 1998. They busked their way west across Canada and circled back east again in the Spring of 1999 when they moved into a farmhouse on Beech Mountain, near Boone, North Carolina. They were embraced by the Appalachian community, and their repertoire of old-time songs grew as they played with local musicians."
One day the group were busking outside a pharmacy called Boone Drug—"playing on Doc's old corner" where he'd "started playing in the 1950s" on King Street in Boone, North Carolina—when the daughter of folk-country legend Doc Watson (d. May 29, 2012) heard them. Certain her father would be impressed, she led the blind musician over for a listen. The group "struck up 'Oh My Little Darling', a well-known old-time song they thought Doc would like." When they finished, he said: "Boys, that was some of the most authentic old-time music I've heard in a long while. You almost got me crying." Doc invited the band to participate in his annual MerleFest music festival in Wilkesboro, North Carolina (for 2000).
To Secor: "That gig changed our lives and we look to it as a pivotal turning point as Old Crow Medicine Show. He and Fuqua have written a song "about Doc Watson. About being on the corner in Boone and him discovering us. It honors Doc and the high country blues sound."
Busking has "always been our heart and soul," claims Secor. "Our performance comes out of all those years spent cutting our teeth on the street corner." The earliest beginnings of the group involved busking in the Northeast U.S., attracting fresh talent. Guitjo player Kevin Hayes—originally from Haverhill, Massachusetts—was in Bar Harbor, Maine raking blueberries when he encountered Secor "on the street in front of a jewelry store playing the banjo." Bassist Morgan Jahnig joined the group as a result of a "random" encounter with early Old Crow performing on the streets of Nashville in 2000. Guitarist Gill Landry first met the group in 2000 while both were street performing during Mardi Gras in New Orleans, joining full-time in 2007.
To promote Carry Me Back Home (2012), the group did a series of "guerilla" shows around Nashville, including busking in front of the Ryman Auditorium where they performed "Sewanee Mountain Catfight" for an "unsuspecting crowd of tourists."
Grand Ole Opry
The big busking break led to the act's relocation to Nashville in October 2000. At MerleFest, Secor explains, Sally Williams "from the Grand Ole Opry . . invited us to participate in some summer music events at the Grand Ole Opry House doing our street act, our busking, and that's why we came to Nashville . ." Williams first booked them for "an Opryland Plaza outdoor show." In Nashville they were "embraced and mentored" by Marty Stuart, the president of the Grand Ole Opry, who first spied the group at the Nashville-area Uncle Dave Macon Days festival and added them to his "Electric Barnyard old-fashioned country variety package show bus tour" with acts like Merle Haggard, Connie Smith, and BR5-49. Soon they were opening for "everyone from Loretta Lynn and Dolly Parton to Ricky Skaggs and Del McCoury . ."
The group made their Grand Ole Opry debut at the Ryman Auditorium, "The Mother Church of Country Music", in January 2001. Given just four minutes on stage, they played their original "Tear It Down"—a "singing jug-band romp about punishing infidelity"—and received a "rare first-time-out standing ovation, and a call for an encore." In August 2013, Stuart unexpectedly appeared onstage at the Ohio Theatre in Cleveland, where the group was performing, to invite them to become official members of the Opry. They were formally inducted at a special ceremony at the Grand Ole Opry House in Nashville, September 17, 2013.
Shortly after their Opry debut, the group signed with Bobby Cudd at Monterey Peninsula Artists, who also represented Robert Earl Keen, the Dave Matthews Band, Chris Isaak, Aerosmith, and Fiona Apple. They went on their "first real tour" May 2001, opening for the Del McCoury band. Appearances at the 2003 South by Southwest (SXSW) in Austin—a "scene" that's "all about getting behind young artists", as Secor puts it—led to the group being signed by Nettwerk, securing their recording future for the next several years. Their first Nettwerk offering, Old Crow Medicine Show in 2004 (popularly known as O.C.M.S.), was produced by Dave Rawlings and mixes "old blues and jug band music with originals that fit smoothly into the tradition"—including the Fuqua "Take 'em Away" and Secor "Wagon Wheel". More than 100,000 copies of O.C.M.S. were sold, behind a "rigorous tour schedule and a memorable live show"; what CMT regarded as "an impressive number for a new band that didn't know much about record deals and everything that goes with it."
Big Iron World (2006), another Rawlings production, added a sense of urgency on new songs like "I Hear Them All". They recorded Tennessee Pusher (2008) in Hollywood with producer Don Was, "rocking harder" with "Alabama High Test" and "Methamphetamine". Secor says the band "figured they'd take some leftover material from the first album, add a few traditional songs and suddenly have a new record." But, he says . .
". . it wasn't that easy. Pretty soon, after we realized that that wasn't going to work that way, the gods up above started sending down some lightning bolts of good music and we were able to collect some new material—write some and craft some—that has made the record what it is."
Starting with an appearance on radio show A Prairie Home Companion with Garrison Keillor in 2004 they've had a recurring engagement with the show, including several appearances in the show's home state of Minnesota and special live shows—including the Hollywood Bowl and a New Year's Eve show at the Ryman. They've participated in three of the show's Cinecasts, all from the Fitzgerald Theater in Saint Paul, "seen on movie screens across North America."
The Big Surprise Tour featuring Old Crow, Gillian Welch and Dave Rawlings, the Felice Brothers, and Justin Townes Earle kicked off in Hampton Beach, New Hampshire August 2009. The "nine-stop tour" included shows in Knoxville, Nashville, Boston, New York and Philadelphia—and "mark(ed) the first major showcasing of the Dave Rawlings Machine."
In April 2011 the group joined Mumford and Sons and Edward Sharpe and the Magnetic Zeros on The Railroad Revival Tour, a tour inspired by the Festival Express tour across Canada in 1970 that included Buddy Guy, Janis Joplin, The Grateful Dead, and The Band. Traveling exclusively in vintage rail cars, the three bands performed in six "unique outdoor locations" over the course of a week starting in Oakland, California. They appear in the musical documentary about the tour, Big Easy Express directed by Emmett Malloy, which premiered March 2012 at the South by Southwest Film Conference and Festival (SXSW Film) in Austin, Texas—winning the Headliner Audience Award.
Big Easy Express won the Grammy Award for Best Long Form Music Video in 2013.
In in August 2011, the group announced they were on hiatus, cancelling three shows scheduled for the following month, with "little word from the band on whether there would continue to be a band." Original member Willie Watson left in Fall of 2011, a couple months before Fuqua returned.
Recording of their next album had been largely done before the break.
Founding member Fuqua rejoined the group in January 2012, after leaving in 2004 "initially leaving to go to rehab for his drinking, then staying out to attend college." Cory Younts, who left Old Crow a few months into 2012 to perform in Jack White's backup band Los Buzzardos (or The Buzzards) on world tour to support White's album Blunderbuss, returned to the group in 2013.
Carry Me Back (2012)
Carry Me Back was released July 17, 2012 on According to Our Records (or ATO Records). Founded by Dave Matthews and his business manager Coran Capshaw in 2000 as a division of RCA Records. Recorded at Sound Emporium Studios in Nashville, the album was produced by Ted Hutt who had worked with Gaslight Anthem, Dropkick Murphys, and Flogging Molly. The name derives from "Carry Me Back to Old Virginny", former official state song of Virginia.
The song "Levi" is "about a soldier who grew up in the wild hillbilly woods of Virginia." First Lieutenant Leevi Barnard—from Ararat, Virginia—on his first tour of duty overseas with the National Guard, was "killed by a suicide bomber" in Baghdad's Dora Market in 2009. Near the end of the NPR broadcast, where Secor first heard the story in 2009, several of the late lieutenant's friends, part of the funeral congregation, "broke into Barnard's favorite song" . . "Wagon Wheel". "Genevieve" by Landry is "an evocative eulogy of a Creole queen who steals a young man's heart."
The album "sold over 17,000 copies in its debut week, landing at #22 on the Billboard Albums Chart, leading to both the band's best ever sales week and their highest ever charting position. It was #1 on both the Bluegrass and Folk charts and is the #4 Country album in the nation" (as of July 31, 2012). To promote the album, the group played five unannounced shows at historical locations around Nashville (including one surprise show in front of Ryman Auditorium) and toured July/August 2012 with The Lumineers, The Milk Carton Kids, and Pokey LaFarge and the South City Three visiting such cities as: Louisville, Cincinnati, Nashville, Richmond, Washington, D.C., Philadelphia, New York, Boston, and Atlanta.
American Songwriter, and London-based The Independent and The Financial Times, each gave the album 4 out of 5 stars. To Secor the album "is as close as that original inspiration to be in a band as when we first got started. It's very much the root of our sound."
"Carry Me Back exploits a kaleidoscopic galaxy of joyous old-timey string sounds updated for the 21st century."
Chance McCoy—who grew up in Harper's Ferry, West Virginia, but was born in Washington, D.C.—joined just prior to the Carry Me Back promotional tour in 2012. As a teacher of old-time music at Augusta Heritage Center of Davis & Elkins College in Elkins, West Virginia he'd attracted the attention of the group who "wanted to get Old Crow back together and on the road again." "He got the gig" because Secor "knew that anyone who worked at Augusta knew all about old-time music."
Variously described as old-time, Americana, bluegrass, alt-country, and "folk/country", the group started out infusing old Appalachian sounds with new punk energy. Country Music Television notes their "tunes from jug bands and traveling shows, back porches and dance halls, southern Appalachian string music and Memphis blues." Gabrielle Gray, executive director of the International Bluegrass Music Museum—who sponsors ROMP: Bluegrass Roots & Branches Festival, which Old Crow headlined one night in 2012—holds the group "is in the direction of progressive bluegrass." Their live touring show has been described as a "folk-bluegrass-alt-country blend."
"We just knew we wanted to combine the technical side of the old sound with the energy of a Nirvana," states Fuqua. Starting from old-time music in the Appalachian hills, the group found themselves "making a foray into electric instruments and 'really knocking up the rock 'n' roll tree' on their 2008 release 'Tennessee Pusher'." On the documentary "Big Easy Express" about the Railroad Revival Tour with Mumford & Sons and Edward Sharpe and the Magnetic Zeros they "practice(d) a complementary variation of folk" bringing "a pleasingly smoky amalgam of country, bluegrass, and blues." With "Carry Me Back" (2012) they've "circled back to the original sound that so excited (Secor) and Fuqua as kids . . full of old-timey string sounds updated for the 21st century — sing-a-longs that lift the soul, ballads that rend the heart and a few moments of pure exhilaration."
Early on the group didn't perform songs they'd written, instead drawing on a storehouse of pre-war jug band, string band, minstrel show, blues and folk fare. As with other young groups in the genre, driven by all that punk music energy, they played this old material "fast and hard". When they started writing original material they distinguished themselves "from the crowded field of New Wave string bands as genuine stars. And both groups have done it by writing new songs more ambitious than mere rewrites of old hillbilly and blues numbers." Songs they write often have a socially-conscious theme, such as "I Hear Them All", "Ways Of Man", "Ain't It Enough", and "Levi".
Secor admits to developing "the habit of writing what he calls 'stolen melody songs'"—in much the same way he'd created "Wagon Wheel", carrying on in the folk tradition—"like when he penned fresh, war tax-themed lyrics to a tune that had already passed through other wholesale re-writes during its descent from old-time Scots-Irish balladry." Dave Rawlings states: "I've always thought that a really important thing that the Old Crow Medicine Show brought to the table was new songs—some reinterpreted old ones, some really nicely written and brand new—with the old flavor, but also with that vitality."
An early Secor influence was John Hartford who performed for his first grade class in Missouri, making him want "to play the banjo after that;" and the first song he ever learned to play was Tom Paxton's "Ramblin' Boy". Guns N' Roses was Fuqua's "first influence": when they released Appetite for Destruction (1987), while he was in seventh grade, he knew he wanted to be a musician. He also claims AC/DC and Nirvana as influences "and then into blues and then into more obscure fiddlers. Some Conjunto from down in San Antonio." "Take 'Em Away", written when he was 17, is "loosely based on Mance Lipscomb, a blues singer and sharecropper from Navasota County" who he says "was a big influence on me."
Naming his major influences, Secor states: "Certainly, Bob Dylan . . Bob Dylan . . Bob Dylan. More than anything else. More than any book or song or story or play. The work and the recorded work of Bob Dylan. It's the most profound influence on me. And then the other people that really influenced me tend to be the same people who influenced Bob Dylan." Fuqua concurs on Dylan's influence:
"He's a link to Woody Guthrie, who's a link to an even earlier form of American music history. He's . . a great doorway for all sorts of artists because he's not just folk, or just rock. . . I think bands like us, Mumford and Sons, and Gillian Welch and David Rawlings are sort of doing what he has done before, in that we take our own experiences and observations and put them into songs made of traditional, American roots form. That form is still a great vehicle for songs, whether the song is about love, the Iraq War or anything else."
The Dylan doorway led to the first recordings of the New Lost City Ramblers, the Jim Kweskin Jug Band, Canned Heat, The Lovin' Spoonful, Dylan and The Band in the basement, and the Grateful Dead.
When Secor, Fuqua, and company first got together "old-timey pickers their age were few and far between. Modern rock was still a force to be reckoned with. Now hard-driving string bands are where it's at." Fuqua recalls:
"When we started the band in '98, you didn't see anybody our age playing banjos or upright basses or fiddles, or playing this music. I mean, you did if you went to the fiddle festivals at Mt. Airy or in Galax, Virginia. But . . now you throw a stone in any direction . . you'll hit someone in a band who's . . playing banjo or playing these old-time tunes."
To Americana Music Association (AMA) President Jed Hilly, the historic path of Americana music passes through the group: "The baton is passed from Emmylou Harris to Gillian Welch and David Rawlings to Old Crow Medicine Show to the Avett Brothers." Emmylou Harris was, in fact . .
". . among the gateway artists who helped Mumford and bandmates Ben Lovett, Ted Dwane and Winston Marshall discover their love for American roots music. It started with the 'O Brother, Where Art Thou?' soundtrack . . That eventually led them to the Old Crow Medicine Show and then deep immersion in old-timey sounds from America's long-neglected past."
Marcus Mumford, front man of Mumford & Sons, recognizes the group's influence: "I first heard Old Crow's music when I was, like, 16, 17, and that really got me into, like, folk music, bluegrass. I mean, I'd listened to a lot of Dylan, but I hadn't really ventured into the country world so much. So Old Crow were the band that made me fall in love with country music." Mumford acknowledges in "Big Easy Express", Emmett Malloy's "moving documentary" about the vintage train tour they'd invited Old Crow to join them on, that "the band inspired them to pick up the banjo and start their now famous country nights in London."
Old Crow received the 2013 Trailblazer Award from the Americana Music Association.
Awards, honors, distinctions
They performed on a float for the 2003 Macy's Thanksgiving Day Parade.
Their 2004 album O.C.M.S. was selected by Country Music Television (CMT) as one of the top-10 bluegrass albums of the year.
Their music video of "I Hear Them All", a song from Big Iron World (2006), was nominated for two 2007 Country Music Television Music Awards; making first-round finalist in the Best Group and Wide Open Country categories. Directed by Danny Clinch, the video was shot in the Mid-City area of New Orleans featuring local residents with inspirational stories regarding Hurricane Katrina.
The band was nominated for a 2007 Americana Music Award in the category of "Best Duo Or Group"—joining Uncle Earl, Sunny Sweeney, Todd Snider, The Avett Brothers, Guy Clark, Emmylou Harris, the Hacienda Brothers, Elizabeth Cook, Amy LaVere, and Ricky Skaggs with Bruce Hornsby as performers for the show held November 1, 2007 at the Ryman Auditorium in Nashville.
They opened for the Dave Matthews Band in 2009 at the John Paul Jones Arena in Charlottesville, VA; the Verizon Wireless Music Center in Pelham, AL; and the Nikon at Jones Beach Theater in Wantagh, NY.
The band headlined at the Grand Ole Opry, after earlier having performed at that institution's 75th-anniversary celebration, and appeared in special New Year's Eve shows in 2009 (with special guest Chuck Mead) and 2010 at the Ryman Auditorium in Nashville.
Their recording of "Wagon Wheel" was certified platinum by the Recording Industry Association of America in April 2013.
The music documentary Big Easy Express, in which the band was featured along with Edward Sharpe and the Magnetic Zeros and Mumford and Sons, won a Grammy Award for Best Long Form Music Video in 2013. Directed by Emmett Malloy, the video was produced by Bryan Ling, Mike Luba, and Tim Lynch under the S2BN Films label.
Old Crow Medicine Show was formally inducted into the Grand Ole Opry at a special ceremony at the Grand Ole Opry House in Nashville on September 17, 2013. They join other group Opry members like Gatlin Brothers, Oak Ridge Boys, Osborne Brothers, and Rascal Flatts—and individual member acts Roy Clark, Clint Black, Garth Brooks, Charlie Daniels, Vince Gill, Emmylou Harris, Tom T. Hall, Alison Krauss, Loretta Lynn, Patti Loveless, Del McCoury, Charley Pride, and Ricky Scaggs.
The group received the 2013 Trailblazer Award at the 12th Annual Americana Honors & Awards Show, which took place September 18, 2013 at the Ryman Auditorium in Nashville. Previous winners of the award include Nanci Griffith in 2008 and Lyle Lovett (the first winner) in 2007. They also performed during the show, sharing stage with such acts as Stephen Stills, Richard Thompson, Emmylou Harris, and Rodney Crowell.
"Wagon Wheel", by Bob Dylan and Ketch Secor, was nominated as Song of the Year for the 47th Annual Country Music Association Awards Single of the Year, along with "I Drive Your Truck" (Jessi Alexander, Connie Harrington, Jimmy Yeary), "Mama's Broken Heart" (Brandy Clark, Shane McAnally, Kacey Musgraves), "Merry Go 'Round" (Kacey Musgraves, Josh Osborne, Shane McAnally), and "Pontoon" (Natalie Hemby, Luke Laird, Barry Dean). Darius Rucker's version was nominated for Single of the Year along with Florida Georgia Line ("Cruise"), Tim McGraw with Taylor Swift & Keith Urban ("Highway Don't Care"), Miranda Lambert ("Mama's Broken Heart"), and Kacey Musgraves ("Merry Go 'Round"). Rucker sang the song to close out the televised CMA awards ceremony November 6, 2013.
Old Crow Medicine Show performed "Tell Mother I Will Meet Her" at the induction of Emmylou Harris and Ernest V. "Pop" Stoneman into the Country Music Hall of Fame April 27, 2008.
The group helped celebrate the life of the Hardly Strictly Bluegrass festival founder/benefactor Warren Hellman at a free tribute concert in San Francisco February 19, 2012, appearing with such acts as John Doe, Dry Branch Fire Squad, Steve Earle, The Wronglers with Jimmie Dale Gilmore, Gillian Welch, Boz Scaggs, and Emmylou Harris.
They took part in the Woody Guthrie Centennial Celebration Concert This Land Is Your Land March 10, 2012 at the Brady Theater in Tulsa, Oklahoma, performing classic Woody Guthrie songs with Arlo Guthrie, John Mellencamp, Jackson Browne, Rosanne Cash, Del McCoury Band, The Flaming Lips, Hanson, Tim O'Brien, and Jimmy LaFave.
The group performed with such acts as John Mellencamp, Jackson Browne, Dropkick Murphys, Tom Morello, and Arlo Guthrie at The Kennedy Center, in collaboration with the Grammy Museum, to celebrate the life and work of folk singer and icon Woody Guthrie on October 14, 2012 at The Kennedy Center Concert Hall.
The group joined Charley Pride and Connie Smith, wife of Marty Stuart, when he celebrated his 20th year as a member of the Grand Ole Opry December 8, 2012 at the Ryman Auditorium in Nashville.
After founder Doc Watson invited the band to participate in his annual MerleFest music festival in Wilkesboro, North Carolina in 2000, the group have appeared there in 2004 and 2008.
The group appeared at the inaugural 2002 Bonnaroo Music and Arts Festival and have returned in 2005, 2007, and 2011.
They have appeared at the Telluride Bluegrass Festival in 2005 and 2011, and at the Hardly Strictly Bluegrass Festival in 2003, 2004, and 2009.
The group appeared at the 2005 Newport Folk Festival in Newport, Rhode Island, sharing stage with such acts as Ray LaMontagne, Richard Thompson, Del McCoury, The Kennedys, Patty Griffin, The Pixies, Buddy Miller, Gillian Welch & David Rawlings, and Elvis Costello. They return to Newport in 2013, the 55th anniversary of the storied festival, along with The Avett Brothers, Justin Townes Earle, Phosphorescent, Milk Carton Kids, The Lumineers, Trombone Shorty & Orleans Avenue, and others.
They appeared at the first annual BamaJam Music and Arts Festival in Enterprise, Alabama in 2008—ZZ Top, Lynyrd Skynyrd, Hank Williams, Jr., Keller Williams, the Yonder Mountain String Band, Ralph Stanley & The Clinch Mountain Boys, Dan Tyminski, the Del McCoury Band, and Ricky Skaggs & Kentucky Thunder also appeared that year.
They performed at the 41st Annual New Orleans Jazz Festival in 2010, an event featuring Pearl Jam, Aretha Franklin, Van Morrison, Lionel Richie, The Neville Brothers, Allman Brothers Band, and Anita Baker.
The group performed at the All Good Music Festival and Coachella Valley Music and Arts Festival in 2010. In 2009 they appeared at the CMC (Country Music Channel) Rocks the Snowys in Thredbo, Australia and the Golden Plains Festival held at the "Meredith Supernatural Amphitheatre" over Victorian Labour Day weekend in Victoria, Australia.
Vince Gill and the group served as one-night headliners at the 9th annual ROMP: Bluegrass Roots and Branches Festival Yellow Creek Park in Owensboro, Kentucky June 2012 for International Bluegrass Music Museum's 'largest annual fundraising event.' Those who had attended the previous year's ROMP were polled on what groups they would like to see and Old Crow and The Avett Brothers "topped the list." Other acts included: Carolina Chocolate Drops, Punch Brothers, Greensky Bluegrass, Pokey LaFarge & the South City Three, and Lonesome River Band.
They performed at the 20th anniversary Celtic Connections in Glasgow, Scotland music festival early 2013 with "(s)ome of the finest acts in folk, Celtic, roots, world music, traditional, indie, blues and jazz" including The Mavericks, Transatlantic Sessions with Mary Chapin Carpenter, Carlos Núñez & the Royal Scottish National Orchestra, Lonesome Fire, Caravan Palace, and Bellowhead. The festival takes "place over 18 days in various venues throughout Glasgow," with the group appearing at The Barrowland Ballroom.
The group appeared opening day at the Stagecoach Festival 2013 in Indio, California—with Toby Keith, Hank Williams, Jr., Trace Adkins, Connie Smith, and Commander Cody. Lady Antebellum, Dwight Yoakam, Marty Stuart, Justin Townes Earle, Darius Rucker, Jerry Lee Lewis, Charley Pride, Don Williams, Tanya Tucker, and John Reilly and Friends also perform at the festival.
The group join the Gentlemen Of The Road Stopover festival in 2013, playing in Simcoe, Ontario and Troy, Ohio. They join founders of the festival, Mumford and Sons, and such acts as Alabama Shakes, Yacht Club DJs, Hey Rosetta!, Edward Sharpe and the Magnetic Zeros, fun., and The Walkmen in a festival that includes five cities in England, Canada, and the U.S.
Old Crow Medicine Show made their national television debut on CMT's Grand Ole Opry Live in 2002.
They appeared on Late Night with Conan O'Brien with Lauren Graham and Paula Abdul on May 7, 2004 [Season 11, Episode 109] and again on December 23, 2008—appearing with Dustin Hoffman and Greg Giraldo [Season 16, Episode 65].
The group appeared on Austin City Limits—after Lucinda Williams—in a segment aired December 2007 (taped September 2007).
They make frequent guest appearances on A Prairie Home Companion with Garrison Keillor, including October 23, 2011 on a live Cinecast of the show from the Fitzgerald Theater in St.Paul, "seen on movie screens across North America," with Nickel Creek's Sara Watkins, Joe Ely, etc. Purdue Convocations presents a live broadcast performance of the show from the Elliott Hall of Music at Purdue University in West Lafayette, Indiana in partnership with WBAA 920AM 101.3FM Public Radio from Purdue with the group and Purdue Varsity Glee Club on October 27, 2012.
Ketch Secor and Chris "Critter" Fuqua were interviewed on NPR Weekend Edition Sunday July 8, 2012—"Old Crow Medicine Show: Something Borrowed" [10 min 15 sec]."
The group appear in the PBS broadcast of Woody Guthrie AT 100! LIVE AT THE KENNEDY CENTER, recorded live October 14, 2012 at the John F. Kennedy Center for the Performing Arts in Washington, D.C., and broadcast on PBS stations beginning June 1, 2013. The centennial concert, honoring Guthrie and his music, also featured Jackson Browne, Donovan, Ani DiFranco with Ry Cooder, Rosanne Cash, The Del McCoury Band with Tim O'Brien, John Mellencamp, etc. Old Crow performed "Union Maid"—and "This Land Is Your Land" and "This Train Is Bound for Glory" with all performers. The concert was produced and directed by four-time Emmy Award-winning filmmaker Jim Brown, and produced in collaboration with The GRAMMY Museum Foundation.
Old Crow Medicine Show performed on the soundtrack for the film Transamerica in 2005, which was nominated for a number of awards—including two Academy Award nominations—winning several around the world. "Critter" Fuqua wrote "Take 'Em Away" while "We're All in This Together" was written by Ketch Secor and Willie Watson.
They appeared in the PBS American Roots Music series; "In the Valley Where Time Stands Still", a film about the history of the Renfro Valley Barn Dance; and "Bluegrass Journey", a portrait of the contemporary bluegrass scene.
They appeared in the musical documentary Big Easy Express, directed by Emmett Malloy, being made of The Railroad Revival Tour, which premiered March 2012 at the South by Southwest Film Conference and Festival (SXSW Film) in Austin, Texas—winning the Headliner Audience Award.
Current members of the band are:
Critter Fuqua – banjo, resonator guitar, guitar, accordion, vocals
Kevin Hayes – guitjo, vocals
Morgan Jahnig – stand-up bass
Gill Landry – banjo, resonator guitar, guitar, vocals
Chance McCoy – fiddle, guitar, banjo, vocals
Ketch Secor – fiddle, harmonica, banjo, guitar, bajo sexto, vocals
Cory Younts - mandolin, vocals
Former members of the band are:
Ben Gould – stand-up bass
Matt Kinman – bones, mandolin, vocals
Willie Watson – guitar, banjo, fiddle, harmonica, vocals
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Maddie & Tae is an American country music duo composed of vocalists Madison Marlow and Taylor Dye. The duo is signed to Dot Records.
Madison Kay "Maddie" Marlow (born July 7, 1995) is a native of Sugar Land, Texas, and Taylor Elizabeth "Tae" Dye (born September 18, 1995) is a native of Ada, Oklahoma. The two met at age 15 through the assistance of a vocal coach who worked with both of them. The two began working with representatives of Big Machine Records and songwriter Aaron Scherz. They first performed under the name "Sweet Aliana." After finishing high school, the two moved to Nashville, Tennessee, to begin their musical career.
In 2014, Big Machine revived the Dot Records name for a new imprint. Maddie & Tae were confirmed as the first signees of the label in June 2014.
They wrote their debut single, "Girl in a Country Song", with Scherz, who co-produced it with Dann Huff. The song is a criticism of the bro-country trend of 2013 and 2014. "Girl in a Country Song" debuted at number 58 on the Country Airplay chart dated for the week ending July 19, 2014. After 23 weeks on the charts, it reached Number One for the chart dated December 20, 2014, giving Maddie & Tae their first chart-topper. It became the first debut single by a female duo to reach Number One since The Wreckers did it in 2006 with "Leave the Pieces," and only the second in history.
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Vince Gill is an American neotraditional country singer-songwriter and multi-instrumentalist. He has achieved commercial success and fame both as frontman to the country rock band Pure Prairie League in the 1970s, and as a solo artist beginning in 1983, where his talents as a vocalist and musician have placed him in high demand as a guest vocalist, and a duet partner. Gill has recorded more than twenty studio albums, charted over forty singles on the U.S. Billboard charts as Hot Country Songs, and has sold more than 22 million albums. He has been honored by the Country Music Association with 18 CMA Awards, including two Entertainer of the Year awards and five Male Vocalist Awards. Gill has also earned 20 Grammy Awards, more than any other male Country music artist. In 2007, Gill was inducted into the Country Music Hall of Fame.
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The most eagerly-anticipated bluegrass debut in recent memory, Dailey & Vincent introduces a powerful new ensemble steeped in bluegrass and country music traditions, but blessed with the drive, talent, and charisma to assert those timeless values proudly onto today's stage. Even before one note of their stunning debut record had been heard, Jamie Dailey and Darrin Vincent earned a standing ovation at the 2007 International Bluegrass Music Association convention and were booked for more than 100 shows. Now that the album is here, the advance accolades are completely understandable. This is music that can stand side by side with any of the most revered bluegrass discs ever made.
Co-leaders Jamie Dailey and Darrin Vincent have already had a profound impact on much of the best modern bluegrass via their contributions to such estimable performers as Doyle Lawson & Quicksilver, Ricky Skaggs & Kentucky Thunder, and Rhonda Vincent & The Rage. The decision to join forces was not taken lightly, as they both held comfortable positions within premier bluegrass bands – Dailey as lead and tenor singer for nine years with Lawson, Vincent as harmony vocalist and multi-instrumentalist with Skaggs. "But when I first heard Jamie sing," Darrin Vincent recalls, "it absolutely brought me out of my seat. I said, 'That is somebody I need to know.'"
Vincent's initial instincts were confirmed the instant that he and Dailey sang together. "When I first heard our voices blend, I said, 'There's something special about that,'" Vincent continues. "It was like, 'OK, we've got to pursue this.' Then I looked around, and Sonny stopped playing in The Osborne Brothers. Jim [McReynolds] from Jim & Jesse passed away. All of a sudden, there weren't any duos in bluegrass anymore. I thought, 'This is going to be a lost thing if we don't form a duo.' It just made sense."
Dailey agrees, adding that when he met Darrin six years ago, he knew immediately that he wanted to take his next professional steps with him. In 2003, the two began talking seriously about becoming a team.
"I was happy – I had no complaints," says Jamie of his nine years in Quicksilver. "But I knew probably after being with Doyle three years that eventually I would want to step away, in order for me to fulfill what was in my heart and to get to do everything I wanted to do musically."
"We've been praying about this for about four years," Darrin comments, "because we were making sure that it's the right choice. He (Jamie) was making really good money and doing great with Doyle. I've been having a ball with Ricky. With all the awards that we've won and all the wonderful opportunities that have come along with Ricky, it really didn't make sense to quit." But in 2004, Darrin and Jamie recorded "Beautiful Star of Bethlehem" as a duet for a bluegrass Christmas compilation album. The response was explosive.
"When we got the response we did off of 'Beautiful Star,' it was overwhelming," recalls Jamie. "It just blew my mind. That's what brought forward the idea that we needed to do our own thing."
"Their own thing" positively bursts from the speakers from the first notes of their self-titled Rounder debut, Dailey & Vincent, released in January of 2008. The working-man's laments "Sweet Carrie" and "Poor Boy Workin' Blues" are vintage-sounding, rapid-fire bluegrass romps. Jamie's tenor lead vocals on "I Believe" and "Take Me Back and Leave Me There" are high, lonesome bluegrass singing at its purest. Darrin's upbeat lead vocals on "Don't You Call My Name," "Cumberland River," and "Music of the Mountains" sound steeped in tradition.
The harmonies in "River of Time" and "Place on Calvary" will send shivers up the spine of anyone who loves the classic overtones that only great bluegrass voices can produce. "More than a Name on a Wall" sounds vintage because it is – the song was a 1989 country hit for The Statler Brothers. And as if to remind us that we are in the presence of classic talents, "My Savior Walks with Me Today" and the extraordinary performance of Gillian Welch and David Rawling's "By the Mark" are performed in traditional, mandolin-guitar, brother-duet fashion.
Indeed, their voices blend with an uncanny, almost familial consonance, reflecting the dedication and mutual respect behind their partnership. "I get along with Darrin like family," Jamie explains. "For six years, we've been working on different projects. But we've talked to each other on the phone just about every day all during those six years."
"I threw songs at him, he threw songs at me," Darrin remembers, looking back at the formative stages of their collaboration. "We went for timeless things, things we wouldn't mind singing from now on."
Darrin's sister, bluegrass star Rhonda Vincent, has her own studio. Darrin asked her if he and Jamie could use it. The exceptional blend of their voices on songs like "By the Mark" captivated Rhonda and everyone else who heard the sound. Soon they were the most talked about new bluegrass band on the circuit – well before most fans heard any music at all. Pop pianist and songwriter (and bluegrass fan) Bruce Hornsby observed that "Their name is on the lips of everyone in the know, as far as I'm concerned."
Like most overnight sensations, however, Dailey and Vincent are two men who have paid their dues many times over. Born December 27, 1969, Darrin Vincent first gained notice as a six-year-old tyke in his family's band, The Sally Mountain Show, in Missouri. In the 1980s, he was in The Rage, the band led by his celebrated sister Rhonda Vincent. He continues to co-produce her acclaimed albums with her to this day. From 1990 through 1997 he backed John Hartford. In April 1997 he joined Ricky Skaggs' award-winning band, Kentucky Thunder. He is proficient on guitar, bass, and mandolin and is highly regarded for his harmony-singing talent.
"I'm kind of a fish out of water," says Darrin. "I've been behind people my whole life – my sister, John Hartford, Ricky. I've never taken front and center stage. Not even one time. I tell you, when I sang 'Cumberland River' at the IBMA convention, I was scared out of my mind. It was extremely, excruciatingly scary."
Jamie Dailey, on the other hand, is noted as a lead singer. But forming this duo was a big step for him as well. Born June 9, 1975, he was plucked from obscurity by Doyle Lawson to become the tenor lead vocalist in the much-awarded Quicksilver.
"People would ask me when I was a teenager if I would ever want to do this for a living," Jamie recalls. "I said, 'Absolutely not. I would hate that. I never want to be on the road.' I didn't think I wanted to travel. Around that time, when I was 16, I heard Doyle Lawson & Quicksilver. When I heard Doyle for the first time, it changed. I was like, 'That's what I want to do.' And then, in August of 1998, he called."
Having heard of Jamie's talent, Doyle called to inquire whether the high-singing youngster would like to audition. Jamie graduated instantly from singing in local Tennessee bluegrass groups to playing bass and guitar and singing lead and harmony vocals in one of the most famous bluegrass bands in America.
Taking with them the lessons they've learned from their former employers, their friends, and their families, Jamie and Darrin produced Dailey & Vincent themselves. With pride, they included on the sessions their band members Jeff Parker (mandolin, harmony vocals) and Joe Dean (banjo, bass vocals). Adam Haynes has since been added on fiddle. The result is twelve brilliant performances from two men who sound born to sing together, delivered with a thrilling blend of clarity, precision, and soul. Jamie Dailey and Darrin Vincent have given their lives to bluegrass, to both the traditions and the possibilities that it offers, and now they've made the album of their lives. Is it possible to be both classic and brand new? Meet Dailey & Vincent.
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Husband, father, singer, songwriter, worship leader, campus director at his home church in Arkansas, and now, most recently added to Zach Williams' list of titles is recording artist. Signing with Provident Label Group's Essential Records, he will release his powerful debut single, "Chain Breaker," this summer to radio stations across the U.S.
Never in his wildest dreams did Zach Williams think that he would be in this place of writing and recording music in the Christian music industry, especially from years of hard living on the road while in a rock & roll band. He thought his life was fulfilling and he was doing what he had always wanted to do, but that left him empty, lonely, and further away from God and his family than ever before. For years he sought meaning and fulfillment in the unhealthy, and sometimes dangerous, lifestyle he was living. He eventually found refuge in a fellow band mate, thanks to their countless late nights on the road talking about God, faith and what their lives could actually be like beyond the band.
"Even though I grew up going to church every Sunday as a kid, even though I knew right from wrong and said I was a Christian, there was absolutely nothing about the way I was living that reflected these things," Zach shares. "It took a trip to Europe in 2012 to stop me dead in my tracks and show me just how lost I really was."
That year, with his wife by his side, his faith became real to him and he found renewal by dedicating his life to Christ. He hasn't looked back since. See more here: https://www.youtube.com/watch?v=L76pog3GjKM
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Get Ashley McBryde songs and albums from:
"I hear the crowd, I look around, and I can't find one empty chair. Not bad for a girl going nowhere" sings Ashley McBryde on "Girl Goin' Nowhere," the seminal title track from her forthcoming LP. They're words built from experience: over the course of her life, McBryde's been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a "whiskey-drinking badass," confessing that he's a massive fan. The rest of the world is quickly catching on, too.
Dubbed as one of Rolling Stone's "Artists You Need To Know," citing she's "an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert," McBryde fearlessly lays it all on the line, and it's that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be "among the first post-Stapleton country stars?" McBryde's album will showcase an artistic vision that will prove her to be one of the genre's keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.Source: http://www.ashleymcbryde.com