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Gilles Peterson (born 28 September 1964, Caen, France) is a British-based Franco-Swiss DJ, record collector and record label owner residing in London. Via his labels Acid Jazz, Talkin' Loud, and latterly Brownswood Recordings, he has been associated with the careers of well-known artists of the 1990s such as Erykah Badu, Roni Size and Jamiroquai.
After starting out on pirate radio, and having shows on various legal London-based radio stations, most notably Kiss FM dance music station, he was recruited to the BBC's youth-oriented Radio 1 in 1998. Since 2012, he hosts a 3 hour BBC 6 Music Saturday show, 3-6pm. Peterson is known for eclectic musical selections, and has been occasionally described as the new John Peel . However whilst John Peel had an "anything goes" range of tastes composing his show, Peterson's focus has always been jazz music, generally modern jazz, with a strong emphasis on its translation to a club environment, mixed with associated music styles.
Widely acclaimed as a musical taste-maker, he spreads his influence on music listeners around the world mostly through his Saturday afternoon BBC Radio 6 Music radio show. His Worldwide show is re-broadcast from eight European countries, including: Radio Nova (France), Stu Bru (Belgium), FM4 (Austria), Radio X (Germany) and Funkhaus Europa (Germany). Parallel to this, his frequent DJing gigs around the world also have cemented a worldwide following.
Born as Gilles Jerome Moehrle to a mother from Paris and a father from Zürich, he attended the Roman Catholic John Fisher School. He became known on the London circuit as a DJ specialising in the new breed of "acid jazz", drawing on the jazz, funk and Latin fusions of the 1970s. First heard as a DJ on the London pirate radio station Radio Invicta, he went on to host "Mad On Jazz" on BBC Radio London in 1986–87, then ran a club night[clarification needed] in Camden Town.
That club, and one of Peterson's best remembered club sessions, was Talkin' Loud Sayin' Something at the old Dingwalls club in Camden, North West London which ran from the late 1980s until March 1991. The sessions were characterised by jazz dancers in suits hats and spats, heavyweight jazz dance classics including tracks from Yusef Lateef, Pharoah Sanders, Freddie Hubbard, Airto and Herbie Hancock and the anthemic In The Fast Lane by Jean-Luc Ponty; but the jazz was fused with hip-hop and the more experimental tracks. Gilles played alongside fellow London DJ Patrick Forge at most of the Dingwalls' sessions, as well as separately at many other underground club nights and music weekenders. On 8 October 2006, both Peterson Patrick played at a one-off show at the old site of Dingwalls (now a Jongleurs comedy club). A compilation album of popular songs from the club was also released at the same time, Sunday Afternoon At Dingwalls.
In March 1990, Peterson became a disc jockey on London's first-ever dedicated jazz station 102.2 Jazz FM. The three hour show was stripped into sections including the "Samba 60" and the "Vibrazone". Artists as diverse as the Freestyle Fellowship, Sérgio Mendes and Leon Thomas would all appear on the same playlist. He was forced to leave the station after making anti-war comments during the first Gulf War.
Kiss 100 FM
September 1990 saw London pirate dance music station Kiss 100 FM become legal when it acquired a licence and started to broadcast from Holloway Road in North London. Patrick Forge was then given the space to create his own show, with the two DJs continuing to work together at Dingwalls until the "last dance" on 3 March 1991. Peterson moved over to Kiss FM himself after being fired by Jazz FM. In his shows on Kiss FM he played acts as diverse as Josh Wink, Gang Starr and Horace Silver in the space of a single programme. He was then hired by BBC Radio 1 in 1998.
From 1998 to 2012, through his BBC show Worldwide - which was originally produced by longtime collaborator Benji B, Karen P (Folded Wing), Ben Cave, Beccy Grierson, Alex Kenning and currently Dave O'Donnell - Peterson continued to present a wide range of music that may be new to its young audiences. The show always presented a combination of new, older and often very rare records from the late 1950s to 1980s. Every three months or so, Peterson dedicated a whole show to older vinyl releases in a special version of his show he subtitles as Brownswood Basement; two associated compilation albums with the same name containing older personal classics have been released on the United States label Ubiquity Records's offshoot Luv N' Haight. He has been associated with two Brownswood labels - the name comes from the road in north London where his house was located. This building is now primarily a place Peterson uses to store his huge record collection. In August 2004 the show moved from Wednesday (midnight til 2am) to an earlier Sunday slot (11:00 to 01:00) with a spectacular live outside broadcast from The Big Chill at Eastnor Castle Herefordshire featuring Bugz In The Attic performing a DJ set, and interviews with house DJ Tom Middleton and Mr. Scruff.
One of the highlights of the new format BBC Radio 1 show was the special sessions from the BBC's Maida Vale Studios. These have included artists such as Roots Manuva, Björk and the Floating Points Ensemble. In September 2006, Peterson's show on Radio 1 was moved from Sunday night to Wednesday night (more precisely the early hours of Thursday morning), 02:00 to 04:00 (GMT). The first show included a live appearance from Lupe Fiasco. The show is currently broadcast live between 2am-4am on Wednesday mornings. In 2002 he released a compilation album, "Impressed with Gilles Peterson", featuring rare and forgotten about British Jazz from the 1950-1960s, that Peterson had collected over the years. This led to many of the records being re-released to a new audience. This in turn led to a series of concerts featuring some of the artists and a documentary about the history of British jazz ("Jazz Britannia").
Annually, Peterson picked his favourite records of the year, known as his Worldwide Winners, which listeners of his radio show could vote on via the Radio 1 website to get down to a final top 10 list of winners. In later years, from 2004 onwards, this expanded into the Worldwide Winners Awards with an event held at a London club venue; Cargo in 2004 and onto the bigger Koko in Camden in 2005, with full outside broadcast coverage by Radio 1, and expanded sections like "Best Clubnight", "Best Record Shop", "Best Compilation Album", and a special award called "The John Peel'Play More Jazz' Award" given to an artist, often newcomer, who has displayed special noteworthy work over the year.
In late 2011 Peterson announced that after 13 years at the station he would be leaving BBC Radio 1, following his last show in the early hours of Wednesday 28 March, 02:00 to 04:00 (GMT), and moving to a new show on BBC Radio 6 Music.
Radio 6 Music
Following his departure from Radio 1, Gilles started a new 3 hour Saturday afternoon show on BBC Radio 6 Music, beginning on Saturday 7 April 2012, running weekly from 15:00 to 18:00 (GMT), and giving him an extra hour of broadcast time. Like his previous Radio 1 programme, it is made by independent production company Somethin' Else for the BBC.
Gilles Peterson has played an important role on four record labels. In 1987, together with DJ Baz Fe Jazz, he was recruited by Ace Records to create the sublabel BGP Records. The soul, funk and jazz dance reissue label took its name from the founders' initials but was officially dubbed "Beat Goes Public". In 1988 he and Eddie Piller founded Acid Jazz Records, an influential label whose roster included the Brand New Heavies, Jamiroquai, Corduroy, the James Taylor Quartet and Snowboy. After growing disillusioned with the scene that grew up around the label, he went on to run Talkin' Loud, enlisting the help of fellow DJ Norman Jay who formed his own Global Village label.
The label drew its name from the James Brown track Talkin' Loud & Sayin' Nothing that had inspired the name of his club at Dingwalls. The roster of Talkin' Loud included Nuyorican Soul (a side project of the producers Masters At Work), Courtney Pine, MJ Cole, Young Disciples, Incognito, Terry Callier, The Roots, Galliano and Roni Size's project Reprazent. Courtney Pine, Young Disciples, MJ Cole & 4 Hero all received nominations for the Mercury Prize, with Reprazent winning the award in 1997.
Peterson's most recent record label, Brownswood Recordings, was launched in 2006. It was named after the road in North London where the house he used to live is, which he has since had to move out of after his record collection became too big, and which now acts as a warehouse for his enormous collection of vinyl records. To date the label has released records by British singer/songwriter Ben Westbeech, 45 piece live act The Heritage Orchestra, Japanese punk jazz band Soil & "Pimp" Sessions, Brooklyn based pianist Elan Mehler, jazz vocalist José James and Zara McFarlane; Mercury-nominated artist Ghostpoet, Kenyan-British group Owiny Sigoma and electric producer Gang Colours; eight volumes of a soulful compilation album series called Brownswood Bubblers, and a special Cuban project - Havana Cultura - which saw Gilles travel to Havana to record at Egrem Studios with gifted jazz pianist Roberto Fonseca and a host of new Cuban talent. A second volume was released in 2011, Havana Cultura: The Search Continues, during which DJ Mala also recorded his impression, due to be released in May 2012. Taking on the role of Executive Producer, he recorded an album of new material (plus a handful of covers) entitled 'Gilles Peterson presents Havana Cultura'. Incidentally, this label should not be confused with Talkin' Loud, the previous label he was involved with, or indeed another imprint called Brownswood Records (note: Records NOT Recordings) which was used to release music from the United Future Organization as well as other Japanese associated projects.
Peterson has made many regular appearances at music festivals across the world including Lovebox in east London, The Big Chill in Hereford and the Southport Weekender in the north west of England. Away from the UK he has appeared at the Exit Festival in Serbia, INmusic festival in Croatia and in 2005 the Coachella Valley Music and Arts Festival. Gilles also curated his own stage at Montreux Jazz Festival for 10 years during the 1990s.
Peterson and Freshly Cut, a French event production company from Montpellier, collaborated to create the Worldwide Festival. This started out as a small intimate festival during the summertime in the coastal town of Sète in France in 2006. It was expanded to include a mini version of the festival in Singapore from 2008.
Dipping his toe into the world of production, Peterson has collaborated with Switch (DJ) and DJ Clipz in the past, but currently works with his engineer Simbad, remixing the likes of Noro Morales and Fatoumata Diawara to date.
Grand Theft Auto
WorldWide FM is a radio station featured in Grand Theft Auto V. The station is named after Peterson's real-world weekly radio shows Worldwide on BBC Radio 1 (2007-2012, now succeeded by a self-titled show on BBC Radio 6 Music), and globally syndicated Worldwide International.
Sony Gold Award - Best Specialist Music Radio Show, 2000.
Awarded MBE in 2004.
Outstanding Contribution To Dance Music 2011.
Honorary Masters Degree Nottingham University
AIM Independent Music Awards - Indie Champion 2013
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Born 1985 in Stockholm to Hungarian parents, Kornél Kovács' perambulations in music began early and have continued at pace ever since. Raised on that classic, enviable diet of "proper" music training plus parents with killer music taste, Kovács' daytime lessons were given texture at night as everything from Kraftwerk and Art Of Noise to King Tubby and Boogie Down Productions wafted through the house.
Applying the Stakhanovite work ethic of his heritage to all he had learned so far, Kovács started knocking on as many of Stockholm's musical doors as possible, teaboying in the city's finest record stores, stalking its best DJs, working his way through the local library's excellent selection of dance music records. Kovács, then a "clumsy nerd who got to hang around the older cool kids because they found me funny", even managed to wangle a few DJ gigs on the back of an intense early teenage love of mid-90s drum'n'bass, turning him into "Stockholm's youngest former jungle DJ" by the age of 14.
After a few years in this exquisitely premature retirement, Kovács picked his headphones up again in the mid-00s, and exciting things followed. Kovács had always written about music, and this, which he did for his own mp3 blog and various culture and music magazines, was joined by a DJ residency at Stockholm's legendary Paradise night, as well as a weekly radio show on P3, Sweden's Radio 1 equivalent. An unsurprisingly important stint at Red Bull Music Academy in 2008 was followed by the formation of Studio Barnhus with his best friends Axel Boman and Petter Nordkvist. At first a studio space and DJ trio, and a year later a record label, Studio Barnhus has now charted 50 releases and counting – the initial Good Children Make Bad Grown Ups EP was Kovács' first appearance on vinyl.
The collective's successes have drawn reams of prestigious press coverage in the years since and worldwide DJ dates for its three members, as well as giving Kovács the artistic space that eventually fostered 2014's Szikra, the track Kovács admits was what made him realise he could "actually make music that people appreciate". Given all this, it would be wrong to describe last year's Pantalón, on Glasgow's Numbers imprint, as any kind of "breakout" moment. Its irresistible, snapping drums and Spanish-language vocal did get people talking and dancing though, while an appearance on Hamburg's esteemed Smallville imprint in the same year saw him connect with another of Europe's electronic music powerhouses.
Kovács' debut album, The Bells, is out on Studio Barnhus in August and was recorded during an intensive two-week session in Gothenburg with his great friend (and great studio engineer) Matt Karmil. Giving your debut LP the same name as the most influential techno track in history certainly takes balls. But after hearing how the album draws together Kovács' natural festive musicality and his long-standing love of club rhythmics, and then factoring in the juggernaut trajectory that's taken him from tea-making record store jester to globally acclaimed producer and DJ, you can certainly forgive his confidence.
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DEBONAIR has gained a loyal following as a club and radio DJ by harnessing a distinctive talent for juxtaposing genres, eras and textures in her invigorating sets.
Formerly Head of Radio at NTS, she is now more likely to be found in the booth, bringing italo, vintage electronica and raw techno to the dancefloor during one of her club sessions (Fabric London, The Nest, The Waiting Room), or Linear Space - the regular party she co-hosts at The Alibi.
Having warmed up for such an esteemed array of artists as Cherrystones, Funkineven & Fis, DEBONAIR can hold her own even in the toughest of environments. To her, it's all about context - shedding new light on hidden gems with precise placement and energy.
Catch DEBONAIR live on alternate Thursday afternoons, 5-6pm on NTS Radio.Source: https://www.facebook.com/pg/RadioDebonair/about/?ref=page_internal